William Grant Still's 'Africa'

SynopsisOn today’s date in 1930,  Howard Hanson led the premiere performance of the full orchestral version of William Grant Still’s symphonic poem, Africa at the Eastman School of Music in Rochester, New York.Still had originally conceived Africa as a chamber work, dedicated to and premiered by great French flutist Georges Barrère earlier that same year.In a letter to Barrère, he said his new work depicted “the Africa of my imagination,” explaining: “An American Negro has formed a concept of the land of his ancestors based largely on its folklore, and influenced by his contact with American civilization. He beholds in his mind’s eye not the Africa of reality, but an Africa mirrored in fancy, and radiantly ideal.”That said, the Africa of Still’s imagination included not only serene, pastorale moments, but also — according to his wife — the surfacing of “unspoken fears and lurking terrors.”In its revised full symphonic version, Africa proved successful recalls the colors of Rimksy-Korsakov’s reimagined pagan Russia, and as an orchestral showpiece proved successful in subsequent performances in Europe, but, for some reason known only to Still, Africa remained unpublished during his lifetime.Music Played in Today's ProgramWilliam Grant Still (1895-1978): Land of Romance and Land of Superstition, from Africa; Fort Smith ASym; John Jeter, conductor; Naxos 8.559174