The View From Everywhere

The trial of the former police officer charged in the death of George Floyd has been broadcasting live all this week. This week, we examine what effect the cameras in the court can have on the verdict and on us, watching from home. Plus, how striving for the appearance of journalistic “objectivity” can make newsrooms less diverse, and how trauma informs journalism. 1. Steven Zeitchik [@ZeitchikWaPo], entertainment business reporter at the Washington Post, explains how Court TV became the world’s window into the Derek Chauvin trial. Listen. 2. Ishena Robinson [@ishenarobinson], staff writer at The Root, about the mounting toll of watching Black people lose their lives on camera. Listen. 3. Bruce Shapiro [@dartcenter], executive director of the Dart Center for Journalism and Trauma at Columbia Journalism School, on why trauma shouldn't disqualify reporters from reporting on topics into which they have insight. Listen. 4. Ernest Owens [@mrernestowens], Philadelphia Association of Black Journalists president, about the double-standards facing journalists who have identities or lived experiences that are different from editors who still determine what constitutes "objectivity." Listen. 5. Steve Friess [@stevefriess], editor at Hour Detroit and contributor for Newsweek, looks back at how he covered gay marriage when his own marriage hung in the balance. Listen. 6. Lewis Raven Wallace [@lewispants], author of The View from Somewhere, on why what we call "neutrality" so often reflects the ideological assumptions of the status quo. Listen. Music from this week's show: Frail As a Breeze — Erik Friedlander The Artifact and the Living — Michael AndrewsNight Thoughts — John ZornFallen Leaves — Marcos CiscarMiddlesex Times — Michael Andrews Bubble Wrap — Thomas Newman Carmen Fantasy — Anderson + RowTribute to America — The O’Neill Brothers