In the Foreground: Conversations on Art & Writing
Een podcast door Caro Fowler
58 Afleveringen
-
“Between the Personal and the Historical”: Asma Naeem on Listening to Art and Visual Culture
Gepubliceerd: 14-12-2021 -
“The Ethics of Seeing”: Kaira M. Cabañas on Creative Care and Art’s Histories
Gepubliceerd: 7-12-2021 -
“Grounded by a Set of Relations”: Nancy Um on "Horizontal" Cultures within Art History
Gepubliceerd: 30-11-2021 -
“To Approach the Object from Outside”: Joseph Koerner on History, Trauma, and Wonder
Gepubliceerd: 16-11-2021 -
“To See the Effects of Sound”: Niall Atkinson on Acoustic Topographies of the Early Modern
Gepubliceerd: 9-11-2021 -
“What a Picture Can’t Offer”: Michael Gaudio on the Imaginative Work of Sound in Art History
Gepubliceerd: 2-11-2021 -
“How Do We Know What We Know?”: Susan Elizabeth Gagliardi on Fieldwork and Evidence
Gepubliceerd: 26-10-2021 -
“Becoming Belonged”: Roberto Tejada on the Political Project of Photography and Poetry
Gepubliceerd: 19-10-2021 -
“What Sort of Problems Does an Artwork Pose?”: Joan Kee on Art History as an Infinite Game
Gepubliceerd: 12-10-2021 -
“Always About to Take Place”: Glenn Peers on the Byzantine Fresco Chapel
Gepubliceerd: 8-6-2021 -
“The Status of the Human”: Amy Freund on the First French Hunting Portrait
Gepubliceerd: 8-6-2021 -
“The Erosion of History”: Samantha Page on Hung Liu’s “Migrant Mother”
Gepubliceerd: 8-6-2021 -
“A Rebuke to Polite Masculinity”: Charles Keiffer on Thomas Patch’s “British Gentlemen at Sir Horace Mann’s Home in Florence”
Gepubliceerd: 8-6-2021 -
“The Color of Emergency”: Joan Kee on Chao-Chen Yang’s “Apprehension”
Gepubliceerd: 8-6-2021 -
“It Looks like How Jazz Sounds”: Jordan Horton on Romare Bearden's “The Dove”
Gepubliceerd: 8-6-2021 -
“‘Others’ of Various Kinds”: J. Vanessa Lyon on Intersectionality as an Early Modern Scholar
Gepubliceerd: 4-5-2021 -
“Where the Impossible is Possible”: Saundra Weddle and Lisa Pon on Collaboration and Renaissance Studies
Gepubliceerd: 27-4-2021 -
"One's Own Bifurcations": Lorraine O'Grady on Both/And Thinking in Art
Gepubliceerd: 20-4-2021 -
“Moving Across the Threshold“: Alisa LaGamma on Curating the Arts of Africa
Gepubliceerd: 13-4-2021 -
“Sound is a Dimension of Reality”: Robin James on Theorizing Sound, Race, and Gender
Gepubliceerd: 30-3-2021
What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmade—while also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests’ current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on these conversations about the stakes of doing art history today.
